Celebrate Women in Music With This WFH Playlist (and Prepare to Listen on Repeat)
Curated in honor of Women’s History Month.
Not to sound like a broken record, but we have a long way to go in the fight for gender equality in the music industry. Earlier this month, the University of Southern California’s Annenberg Inclusion Initiative released its annual report on music creator demographics, and it revealed little progress for women in popular music in 2020. In fact, the number of women writing and performing hit songs has decreased since 2019. The report found women made up only 20.2% percent of the artists behind 2020’s top songs (down from 22.5% in 2019 and below the nine-year average of 21.6%).
To celebrate the women in music who are defying these stats and moving the industry in the right direction, and in honor of Women’s History Month, Samantha Ouellette, Create & Cultivate’s general manager and unofficial C&C office DJ, curated a WFH playlist. Spanning legends by the likes of Nina Simone, Stevie Nicks, and Dolly Parton to up-and-coming artists (and recent Create & Cultivate 100 honorees!) Remi Wolf, Audrey Mika, and Tayla Parx, trust us when we say you’re going to want to put this playlist on repeat during 9-to-5. Grab your headphones and scroll on to press play now.
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Create & Cultivate 100: Music: Lion Babe
LIVING OUT LOUD.
LIVING OUT LOUD.
Hear her roar.
Never has the name of a musical group so perfectly encapsulated it's lead singer.
Jillian Hervey is Lion Babe.
One half of the electro soul duo hailing from NYC, the singular songstress is enigmatic both vocally and visually. She is king of her jungle. After Pharrell watched one of the duo's first music videos on his phone, he flew Jillian, and band producer Lucas Goodman to his Miami studio.
That song, "Treat Me Like Fire," released in 2012 was only the beginning of Lion Babe's spark. With songs like "Wonder Woman," which talks about female empowerment. Jillian has soul in her DNA. The daughter of singer/actress Vanessa Williams and music manager Ramon Hervey II (Babyface, Natalie Cole), she was raised listening to the likes of Chaka Khan.
She fierce, fresh, and unapologetic, recently explaining, "I honestly think that any women or person that says you should be dressing [or behaving a certain] way to avoid unwanted sexual advances, or else, is inviting negative behavior . . . Please, I have no time for it.”
But man, do we have time for her. (And you should too.)
More from Jillian below.
When you first made the jump from dancer to singer, was it as smooth as your voice? (JK but not really. We jam to your music in the office all day.)
Thank you for the love, I definitely know my dance experience informs my rhythms and influences. The transition to singing was actually pretty drastic for me. With dance, you are moving through large spaces with lots of light, bodies, and sweating, whereas with singing, it's more introspective, still, and you're usually creating in dark small spaces. I've never been one to sit still, so that was hard to adjust to. The creative space is crucial to me.
Your mom was the first black Miss America but had her titled unfairly taken away. And then went on to have an amazing career. What has she taught you about resiliency and strength?
She has taught me that we come from a long line of strong individuals. She always told me and my siblings about women and men in history who are black that have paved the way because of their resilience. It's in our blood. But mainly her teaching is by example. She always stays true to herself. She always takes risks and does the things she wants to do, because she knows she can. She has that will and believes in herself.
You've been compared to the likes of Lauryn Hill and Erykah Badu. What does that feel like?
It doesn't really feel real still, those two women, in particular, have such a special place in my upbringing, that it's too nice of a compliment. I wanted them, The Spice Girls and Brandy to join a supergroup. The only thing I think people really are comparing is the feeling. Both women have super unique tones, flows and artistry and a very strong sense of self. Those are definitely attributes that I value and try to do for LION BABE.
What do you know about self-love today that you weren't so sure of ve years ago?
5 years ago I was just getting out of college, so I was still very scattered and was just beginning to dive into myself. I now know through more experience, practice, break ups and time, that I have a formula that when it's honored I am good. Staying creative and dancing always gives me confidence, traveling always keeps me grounded and allows me to experience and know myself differently, and gratitude for the things from the littlest to the biggest helps to put it all into perspective. The more your honor your spirit and soul, the more that energy grows around you. Also, I remind myself that life is always transforming, each moment, so there is always the opportunity to change.
"The more your honor your spirit and soul, the more that energy grows around you."
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When you come across a career obstacle what drives you forward?
The vision. If you can see something, the battles aren't so scary, you just have to adjust your map on how to get there.
What makes you feel powerful?
Being on stage is powerful because it is pure energy.
What would you call your superpower?
My intuition.
Did you always know you wanted to be a performer?
I have been performing since I was little so it was just a part of me. I didn't know exactly how it would manifest but I have always loved it.
What's been the hardest part of the music industry world for you?
The number of egos, fear, and pressure that get created for no reason.
Since the beginning, you've chosen to work with and be represented by a group of women. Why did you make this decision?
Being a woman, and writing as a woman, I can't help but think of our perspective so it just came naturally. I've always wanted to lift women up. Lucas aka Astro Raw and I are LION BABE together though, so I think there is just as much of a male presence as well. Our goal is to be universal and inclusive.
What's your favorite time of day to write?
Anytime after 3pm. I need my sunlight.
What do you sing in the shower?
Warm ups, jazz or Christmas songs (when it's in season.)
TO SEE THE FULL CREATE & CULTIVATE MUSIC LIST CLICK HERE.
Create & Cultivate 100: Music: Lauren Ruth Ward
THE WILD CHILD.
THE WILD CHILD.
Baltimore-born barber-turned-badass-bluesy songstress, Lauren Ruth Ward is not your honey...she can make love to herself.
With her guttural rasp and unruly edge, the emergent singer-songwriter has drawn comparisons to legendary industry outsider Janis Joplin. “I’m a grower, question asker, an empathetic rebel,” says Ward, who left a comfortable living as a colorist and hairdresser to pursue the call of the wild child. With a forthcoming debut album and a weekly residency in Los Angeles, Ward is taking on the notoriously misogynist music scene with her brazen brand of alt-country. Check her out at the Echo on Jan. 22 and Jan. 29 at 8:30 p.m.
And read more below.
Name: Lauren Ruth Ward
Instagram:
You've said that "within reason" you were always allowed to be who you wanted to be. So, who are you? What are you all about?
"Within reason" meaning my mother wouldn't let me leave the house naked - she supported me through my outlandish phases. When others would try to change me, My mother supported my self-expression. I'm a grower, question asker, an empathetic rebel.
Do you recall a moment where you really came into your power as a woman?
Every time I cross something off my to-do list I come into power as a human (woman).
Where do your drive and passion come from?
From my experiences.
When you run into a career obstacle, what drives you forward?
Knowing I am doing what I should be doing makes me want to do more.
What is your biggest pet peeve?
Chewing with your mouth open.
What are your thoughts on the music industry and being a woman in a male-dominated field?
My approach, when I come in contact with the ones who are either subconsciously or consciously misogynistic, kill them with kindness and talent. That always makes them think.
What's something you'd like people to know about your job that they probably don’t?
I've been a barber and a colorist for nine years. I did updos for weddings for five years. I really miss my brides!
IYO-- How can we stay original when we are so saturated with other people's work?
I don't look at others work as competition. I look around to stay connected to my community and to connect with them on a human level.
What about your career makes you feel the most complete?
I'm doing exactly what I need to be doing.
"I'm doing exactly what I need to be doing."
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If you had to trade jobs with anyone else in the world, who would it be and why?
No one, skipping steps makes me nervous.
What's the best advice you've ever been given? Or your favorite piece of #realtalk?
"there's enough to go around for everyone " - Kimi Recor
What song do you sing in the shower when you’ve had a bad day?
Anything Frank Sinatra.
Photo Credit: @davisfactor
Hair & Makeup: @SmashboxCosmetics @TheGlamApp @TheOuai
TO SEE THE FULL CREATE & CULTIVATE MUSIC LIST CLICK HERE.
Create & Cultivate 100: Music: KING
FREAKIN' ROYALTY.
FREAKIN' ROYALTY.
King is the title given to a male monarch.
But the Queens of KING said nah. They're taking the title crown.
The musical trio—comprised of Anita Bias and twins Paris and Amber Strother, released their debut EP in 2011. It was called The Story, but it was only the beginning of theirs. Immediately, the industry took notice. Prince and ?uestlove praised their magic. (When Prince first heard their debut album, he said: “Don’t change a thing.”) Kendrick Lamar sampled "Hey," one of the three songs on the EP, for Section.80 track "Chapter Six."
In February of 2016, after what felt like decades of waiting, the women released the full-length We Are King. The album was nominated for Best Urban Contemporary Album at the 59th Grammy Awards, making them the first independent artists to be nominated in that category.
Like we said, freakin' royalty.
More from KING below.
Where do your drive and passion come from?
Paris: All of us are lifelong lovers of music- there’s something so touching about being able to communicate in this universal language. It’s been incredible to reach and inspire people by expressing our emotions through sound, and it’s that connection that keeps us going.
What's behind the name?
Anita: When we were first starting out, it was just the three of us independently creating this landscape of sound. The word KING was like a revelation- it was the first and only name that came to us. It reflected that we were kings of our own musical kingdom, and the name gave us the space to tell our own story.
We are kings of our own musical kingdom.
It took five years between the EP release and the debut album. What was going on during that time?
In hindsight, I can now say we were growing up and growing into being KING. Those five years saw us not only finding our sound and creating the album but learning tons about the business side of music. We’re so grateful we had the opportunity to take our time to learn more about ourselves and create an album that we were proud of.
Prince, Erykah Badu, Solange. KING has worked with some of the most amazing artists. Is that empowering?
Amber: It’s incredible when people you’ve always looked up to recognize something in your music also.
You've said that you'll never compromise the music for any reason. So when you run into a career obstacle or a roadblock, what drives you forward?
Amber: Knowing that the music is special to our fans, friends, and family keeps us going. There will always be obstacles, it’s just important to remember why you were drawn to making music in the first place.
Paris, you also produce for the group. There aren't many female producers in the music world. How are you changing the game?
Paris: I’d love to break down barriers that any woman feels when it comes to following your art. One of the highest compliments I’ve ever been paid was a fellow musician telling me that by just being who we are, we gave so many others permission to do the same.
"I’d love to break down barriers that any woman feels when it comes to following your art."
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Do you think it's surprising to people (or male producers specifically) that you're producing?
Paris: I think some people are surprised that it’s produced by a woman, I think some people are surprised that all the music so far has been produced in entirety by just one person. It’s an incredible time though, and super inspiring to see so many other women making great music. It’s becoming less of an anomaly.
We hear the words "male-dominated" so much that it's almost like white noise. And yet, almost all industries are dominated by men. What shift have you seen in the music industry that's exciting and/or empowering for you as women?
Anita: It’s a great time to be an independent artist. It’s so cool to see the way that women are able to create communities in the internet age- now it’s easier than ever before to connect with people who love and appreciate your art and vice versa.
IYO-- How can we stay original when we are so saturated with other people's work?
Amber: It’s all about finding balance, and knowing when to put your blinders on. It’s important to immerse yourself in others work- let all the art around you inspire you, and never forget the perspective you bring to the table. Hone in on your own originality.
What about your career makes you (each respectively,) feel the most complete?
Amber: Doing what I love with the people I love.
Anita: The ability to touch people that you’ve never met.
Paris: It’s incredible to watch something grow from just your imagination to being a fully- fleshed out piece of art
At what point in your career did you find the confidence to really take charge and become the woman you are today?
Paris: The support we received from so many people on the day we released our first project in 2011 will stay with us forever. Hearing from so many new fans and artists we admire gave us the spark to know we were on the right track, and that it was moving people the same way it moved us. That experience made us confident that we had something special with KING.
What's the best advice you've ever been given? Or your favorite piece of #realtalk?
Anita: When Prince first heard our debut album, he said: “Don’t change a thing.” It was something we kept with us throughout the creation and release and gave us the backbone to know that even if nobody else had our backs, he thought it was perfect.
What song do you sing in the shower when you’ve had a bad day?
Amber: Any song by Stevie Wonder.
Photo Credit: @davisfactor
Hair & Makeup: @SmashboxCosmetics @TheGlamApp @TheOuai
TO SEE THE FULL CREATE & CULTIVATE MUSIC LIST CLICK HERE.
Create & Cultivate 100: Music: Fletcher
HITTING ONE MILLION STREAMS.
HITTIN A MILLION STREAMS
Fletcher is making Fletch happen.
OK. Terrible Mean Girls spin, but there's nothing terrible about the LA-based musician. Hailing from the East Coast, FLETCHER wrote her first single, 'War Paint,' when she was a junior in college. It HIT BIG on Spotify, and the platform featured her as a Spotify Spotlight Artist. Everything took off from there.
A proponent of gender non-conformity, the independent musician has shared that she hopes one day her children don't have to "come out," instead coming home and telling their mom who they like, regardless of gender. She's not really into conformity at all and hasn't signed to a label. It's not because there isn't label interest, rather, the musician doesn't feel ready to commit. She's currently comfortable taking matters into her own hands.
More from FLETCHER below.
Where do your drive and passion come from?
I've been so fortunate up until this point in my life to have really inspiring women surrounding me. I grew up with an incredibly strong and independent female figure who I am lucky enough to call my mom, she always taught me to never take anyone's shit and instilled in me from a very young age that good things come to good people who work hard and stay humble. I also had a performance professor and vocal coach at NYU who changed my life, her name is Nora York. She passed away last year and it has since left the biggest hole in my heart. I've never met a human more passionate about her craft and because of her, I see the art of performance in such a different light.
You've written songs about exes. What else can we expect from you?
The songs that I've written about exes are really songs about me. It's about the hurt, the heartbreak, and the healing process that takes a really long time. And it's been a way for me to formulate my own closure from a situation I didn't get any. But through the healing process, you learn so much about who you are as an independent individual, the kind of person you want to be, but also the person you don't want to be. You also learn about what you need from a future partner, which is all so important in your self-discovery process. My music really explores a lot of self-discovery and just me talking from the heart about real experiences I've had.
Who are some of your biggest female musical influences?
Right now I'm really inspired by artists who are using their voices for good and ones that aren't afraid to speak about difficult, personal and vulnerable topics. I'm currently inspired by Selena Gomez, Halsey and Dua Lipa.
When you run into a career obstacle, what drives you forward?
I love being the underdog. I've always rooted for the underdog my whole life. It constantly pushes me to keep my head above water and keep going no matter what anyone has to say. No dream is ever too fucking big. I love proving people wrong, it's one of my favorite hobbies.
"No dream is ever too fucking big."
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What is your biggest pet peeve?
Honestly, people who humble-brag is my biggest pet peeve. Like no one cares that you're so #blessed or wants to read novels about how grateful you are for your successes. Let your hard work speak for itself, it doesn't need any explanation. I also can't stand people who sneeze on airplanes and don't cover their mouths. It's like oh great, now we're all breathing in this recycled snotty air.
"Let your hard work speak for itself, it doesn't need any explanation."
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We're seeing so many industries change. What are you excited by in the music biz?
I'm really excited for new voices and equalizing representation of both male and female artists. I'm excited to see which artists will be next to break through the pop ceiling and for the Grammy's this year. I'm also feeling incredibly inspired by all of the women who are speaking up for themselves, with the #MeToo movement and moving towards people taking accountability for their actions. I'm excited by artists like Kesha who are coming forward about their stories and experiences and shifting the conversation for other girls and women to feel safe and empowered to come forward and speak honestly about their experiences. It's an incredible time for women in music right now and I'm so excited by it.
What's something you'd like people to know about your job that they probably don’t?
Meeting new people and having sessions as a songwriter every day of the week with people I'm meeting for the first time can be really emotionally exhausting. It's hard to walk into a room and within a few minutes spill your guts about what's going on in your life that will inspire everyone else in the room enough to want to write a song about it. That's why for my artist project, I try to surround myself with collaborators I feel the most me around.
IYO-- How can we stay original when we are so saturated with other people's work?
“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. It’s not where you take things from - it’s where you take them to." One of my favorite quotes of all time. Originality doesn't exist, but it's how you take that inspiration and turn it into an art form that is authentic to you and you only. We can't reinvent the wheel, nor should we try to. But, no one else can tell your story the way that you can. Rising up in the music industry, fending off sharks, having my heart broken into a million pieces, moving from New York City to Los Angeles by myself, being a young twenty-something trying to navigate sexuality and understanding myself as a human is a story that only I can ever tell.
Rising up in the music industry, fending off sharks, having my heart broken into a million pieces, moving from New York City to Los Angeles by myself, being a young twenty-something trying to navigate sexuality and understanding myself as a human is a story that only I can ever tell.
What about your career makes you feel the most complete?
I just finished my first ever headlining tour and it was the most rewarding experience I've ever had. Seeing people sing my lyrics back to me in sold-out venues was so surreal and so validating as an artist. I feel most complete when fans are sharing their stories with me and when they tell me that something I shared, really resonated with them or helped with a similar experience they had gone through or are currently going through. After my tour, a fan put together a compilation of thank you videos from different fans around the world, most who weren't able to attend the tour and I balled my eyes out. It's things like that, that remind me why I do what I do and why I love it so much. After I released the "Wasted Youth" music video a lot of young females and queer kids told me how much that video meant to them and that it made them feel more comfortable in their own skin, when really, their reactions to it made me feel so much more comfy in my own too.
If you had to trade jobs with anyone else in the world, who would it be and why?
There are a few people I would like to trade jobs with for a day. On a Monday, I'll be Jennifer Lawrence, Tuesday I can be Daniel Ek, the co-founder and CEO of Spotify, Wednesday I'll be Elaine Welteroth, [former] editor-in-chief of Teen Vogue Magazine. These three individuals are really badass people whom I look up to and am inspired by.
At what point in your career did you find the confidence to really take charge and become the woman you are today?
It wasn't so much one specific moment that gave me the confidence, but more so a collection of moments over the last few years of my life. Hitting 1 million streams on Spotify on my first ever single release off my debut EP. Turning down a record label situation that I didn't feel ready for, leaving a manager that was a bad situation, graduating from New York University, having my heart broken, moving to Los Angeles, releasing the "Wasted Youth" video and talking about my sexuality for the first time. These are some of the highs and lows that I feel like have really shaped me into the woman I am today and have given me the confidence to take charge in my career.
What's the best advice you've ever been given? Or your favorite piece of #realtalk?
It's really simple but the best advice anyone has ever given me is to be kind to myself. I'm going to make mistakes in life, I'm going to do the wrong thing sometimes and make the wrong choice sometimes, but that's okay. It's okay to be vulnerable, it's okay to have bad days and cry a lot if you feel like it. Even if it's for no reason. It really helps me manage my emotions when I remind myself to be kind to myself. You have to love and respect yourself first before anyone else can.
What song do you sing in the shower when you’ve had a bad day?
When I'm asked this on the spot I always freeze up and say "I Wanna Dance With Somebody" but honestly when I've had a bad day, I don't sing. My mom always tells me that she can tell when I'm upset about something because I'm not singing. Whenever I do sing in the shower though, it's usually new song ideas for myself. Is that weird? Let's be real, we all sound our best singing with that natural shower reverb.
Photo Credit: @davisfactor
Hair & Makeup: @SmashboxCosmetics @TheGlamApp @TheOuai
TO SEE THE FULL CREATE & CULTIVATE MUSIC LIST CLICK HERE.
Create & Cultivate 100: Music: Vérité
ALT POP PHENOM.
ALT POP PHENOM.
The Brooklyn-based singer-songwriter, VÉRITÉ, is a touring machine.
After coming back from a month long US tour, she's already kicking off touring her new album, Somewhere In Between, featuring the singles, "Phase Me Out," and "When You're Gone."
From Texas to Canada, New York to Nashville, she's on track to chart her 2017, which included 12 million fans listening from 61 countries who jammed to over 5 million hours of her work.
Not bad for a girl without a major record label. "I cannot wait to destroy shit with you next year," she told her Instagram followers.
We are all about that.
More from VÉRITÉ below.
You just got back from a month US tour. What was that like?
Simply amazing. I love touring and traveling more than anything else. Playing shows, you get to see a clear payoff for all the work you put in. The energy of performing and seeing people so stoked to see you is ridiculously intoxicating.
A Twitter user wrote, "to be a fly on your wall." To which you responded, "I'm boring." Which, we doubt. What's a day in the life of you?
It really depends on what day you ask me. I feel like my days are either really structured and methodical or completely free falling. I have certain rituals. I drink coffee as soon as I wake up, I try to read or sit quietly for a few minutes, do emails and then tackle whatever needs to be done.
Where do your drive and passion come from?
I've always held myself to a high standard. I want to push myself to be a better version of myself at all times. I've always loved performing, so everything I do is centered around wanting to put on a memorable live show.
When you run into a career obstacle, what drives you forward?
Obstacles present themselves daily. The knowledge that all I can do is put one foot in front of another is what drives me to move forward. I can only do one thing at a time, so long as I'm making the next right decision, anything can be done.
What is your biggest pet peeve?
Loud chewing.
What is it like being a woman in a male-dominated industry?
I'm so happy to be doing what I want to do in life and hope to push forward as a woman in a way that will make a change. Every once in a while, you get a surprise slap in the face that can challenge your position, autonomy or vision. I try to laugh those moments off while setting clear boundaries and continuing to take full ownership of my project.
What's something you'd like people to know about your job that they probably don’t?
I think it's easy to have a perception that everything is always so together. For me, it's like an intricate set of constantly churning gears. The machine never stops running.
IYO-- How can we stay original when we are so saturated with other people's work?
You create things you love and want to listen to yourself. You'll undoubtedly be influenced by other people's work, but your interpretation of those influences will be original to your perspective.
What about your career makes you feel the most complete?
Talking to the humans who love my music and make my career possible. I'm really lucky to have smart, interesting, chill fans. I want to make them happy.
I'm really lucky to have smart, interesting, chill fans. I want to make them happy.
If you had to trade jobs with anyone else in the world, who would it be and why?
I have no idea. I'm really happy with my job.
At what point in your career did you find the confidence to really take charge and become the woman you are today?
I feel like it's been a slow process of trial, error, fucking up, learning from mistakes, taking ownership of who I am and what I'm worth, what I deserve, etc. Ideally, I will continue growing and adding to the list.
"It's been a slow process of trial, error, fucking up, learning from mistakes, taking ownership of who I am and what I'm worth."
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What's the best advice you've ever been given? Or your favorite piece of #realtalk?
No one knows what they are doing. Do more, think less and learn from what happens.
What song do you sing in the shower when you’ve had a bad day?
Lullaby of Birdland.
Photo Credit: @davisfactor
Hair & Makeup: @SmashboxCosmetics @TheGlamApp @TheOuai
TO SEE THE FULL CREATE & CULTIVATE MUSIC LIST CLICK HERE.
Create & Cultivate 100: Music: Madame Ghandi
THE BOSS MADAME.
THE BOSS MADAME.
photo creditL: Molly Matalon
Kiran Gandhi, known by her stage name Madame Gandhi, is an electronic music artist and activist based in Los Angeles.
Having gained recognition as the former drummer for M.I.A. and as the iconic free-bleeding runner at the 2015 London Marathon, Madame Gandhi now writes music that elevates and celebrates activism focuses on female empowerment and Fourth-wave feminism.
"I am a drummer," she says, "whose mission is to elevate and celebrate the female voice."
Her debut solo EP, Voices, which she released under the name Madame Gandhi late last year and describes as “electrofeminist.” It is a wonderful intro to her beats and ideology, declaring in a a spoken-word breakdown on album closer “The Future Is Female”: “I want to live in a world that is collaborative/A world that is emotionally intelligent/A world in which we are linked and not ranked!”
Did we mention she has her M.B.A from Harvard? No, we didn't. We'll drop that in now.
In a recent interview you mention that the point of your work, "is actually to make somebody else feel joyful and elevated and inspired when they leave my show.” How do keep yourself joyful and inspired to be able to do this for your audience?
I keep myself joyful by reading books that inspire me to be my best self, meditating and repeating positive thoughts, sending love to others, running, and being productive by building towards my goal of taking my ideas and writing them into music that can contribute to the joy of others!
In your song The Future is Female, you have a lyric that reads, "To me, “The Future is female” means that no longer will female qualities be subordinated to male qualities.” We love this. What female qualities do you see reigning in the future?
Increased value placed on emotional intelligence, collaboration instead of competitiveness, leading with compassion instead of ego and finally thinking about how much we can give instead of how much we can receive. All people possess a mix of masculine and feminine energies but I believe that the deeply ingrained misogyny that still plagues our society today prevents us from loving and valuing what feminine energy brings to the table. I argue that bringing in more of the divine feminine is the very thing that just might save our society where hypermachismo culture fails us.
Your music has been said to seamlessly weave together flavors of multiple genres from hip hop and pop to electronic. Who are your biggest musical inspirations?
My biggest musical inspirations are the Spice Girls, Fela Kuti, tUnE-yArDs, St. Vincent, Thievery Corporation, Santigold, TV on the Radio, the Dirty Projectors and M.I.A.
So much of your work is focused on women empowerment and encouraging women to own their voice. Hypothetically speaking, if you had a son in the future what would you want him to understand about female empowerment and how he can contribute to the movement?
I think and dream about this all the time and it scares me. I don’t know how I would raise a son in this world. I suppose I practice on my little brother haha. He is 8 years younger than me and I take a strategy of both encouraging and nurturing him, while educating him and challenging some of his inherent privilege. The nurturing and encouraging aspect is not only because I love him dearly, but also to embody the very style of leadership I wish we valued more, and prove its enormous power. My brother now sends me articles about equality, engages in discussions with me about modern feminism, asks me questions all the time, navigates his relationship with his girlfriend through a lens of partnership and is very good at criticizing and identifying problematic social norms. I can only hope my son would be similar.
Your career path has involved a few different industries. How have you successfully navigated the business and music industries while uplifting female empowerment?
I have only ever worked in music. I served as Interscope Record’s first ever digital analyst, then I got my MBA from Harvard, and then I worked at Spotify as a consultant after school. My intention was to learn the business so well so that when I created my own music, I would never be exploited and I could create on my own terms. If you make radical feminist music but then have to rely on the very gatekeepers I am criticizing to get the music out, the project would never work. I wanted to educate myself so much so that I could run as much of the project on my own, control the narrative, strategy and finances. This is deeply feminist in its intent because it rejects exploitation, rewards creativity and has an end goal of getting a message of healing and empowerment out instead of making millions of dollars.
What does it mean today to be a liberated boss madame?
That I follow my intuition and feel free and brave enough to express myself, own my voice and feel safe enough to be as authentic as possible.
What is the best piece of real talk advice you’ve ever received?
"Keep it moving!"
If you could change the conversation around one subject right now, what would it be?
Sex positivity!! I think if we want to combat sexual assault, we have to also include sex positivity and a joyful, educative focus on female sexuality! We have the best sex organs, we have so many ways we can receive pleasure, I want us to feel like we know our own anatomy inside and out, we know what turns us on and what doesn’t, and moreover we learn how to communicate that to our partners no matter what gender identity they are. I want to educate men that they absolutely must receive enthusiastic, joyful consent, read our body language more intuitively and ask when they don’t know, and understand that the best sex is not only about receive but about giving! Sexual assault, harassment and rape in this country must end, and I think a large part of the antidote is removing the stigma surrounding female sexual liberation. Therein lies some of our deepest power.
What’s your superpower?
I am the rays of the sun, joyful, positive and hopeful, and I will keep shining for you! I want to be a ball of shining love energy that you can come into when you need! This is what the female energy represents to me - healing, life, love. It’s why I love the color yellow so much. My first name, “Kiran”, means first ray of sunlight in the morning in Hindi, and I step into this name as much as I can. It’s a personal reminder to lead with empathy, unconditional love and fearlessness. My mom is the most beautiful example of this.
What do you sing in shower when you’ve had a bad day?
Fela Kuti - “No Agreement”
TO SEE THE FULL CREATE & CULTIVATE MUSIC LIST CLICK HERE.
Create & Cultivate 100 Music: Hannah Lux Davis
THE CREATIVE WARRIOR.
THE CREATIVE WARRIOR.
Hannah Lux Davis attended Create & Cultivate and now she's on our C&C 100 list. Let that sink in.
Also let it sink in that the creative powerhouse is one of the most sought-after music video directors in the game. Having worked with talent like Ariana Grande, Nicki Minaj, Miley Cyrus, Hailee Steinfeld, Demi Lovato, , Jessie J, and Tinashe, the 31 year old is unstoppable.
Her videos have racked up billions of views. Yes, BILLIONS. (Other words that start with B: Boss, Badass, Big Cheese.)
After moving from Seattle to LA, where Hannah attended the Los Angeles Film School. When it came to her final project, she made a music video instead of the typical short film.
It's that kind of creative hustle and risk-taking that have made her successful. She PA'd on multiple sets, just to make contacts. She did the same thing working as a makeup artist. The whole time she was networking like nobody's business/made it all her business. She may not have known what was going to happen, but she did know how to throw her name in the race.
And she just keeps running shit.
More from Hannah below.
So. We HAVE to bring it up, because it makes us giddy. You attended Create & Cultivate. What was that experience like?
It was inspiring to be in a space with dozens of like-minded women, all eager to write their own story in whatever capacity that meant to them. The atmosphere was all also incredibly special with its attention to detail. Everything from the neon signs to the chairs we sat on felt curated.
Was there advice you took from that day that you still apply to your career?
What stuck with me the most is the importance of persistence.
You've worked with the most amazing set of female artists. What has that experience been like?
My interest in music videos began with artists like Britney, Christina, and Avril, so to be working with this new era of female artists has really been a dream come true. It's been challenging but incredibly rewarding. Each artist has their own set of idiosyncrasies and it's different every time. As a director, the collaborative process is one in which you have to be receptive, confident, and just enjoy the ride!
"What stuck with me the most is the importance of persistence."
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Is there a standout moment for you?
Anytime I get to work with Ariana on a project for her music, it's always pretty major for me. I have so much respect for her as an artist. She's so in tune with herself (on top of being crazy talented). When we work together it's a real collaboration. She's at a point in her career where there usually aren't too many other voices involved, so it's always really liberating, for both of us, to just be creative and go for it! I definitely cherish our relationship. Directing the visuals for her Dangerous Tour was a real honor.
Another standout moment would be directing the Demi Lovato: Simply Complicated documentary. The premiere itself was such a trip! It was insanely rewarding to watch the film with a huge audience and I was so excited about the positive reaction it received. It was easily the hardest project I've ever done!
Where do your drive and passion come from?
The work! I just want to make cool shit and you can't do that if you don't have drive or passion
When you run into a career obstacle, what drives you forward?
I always say that every job is a learning lesson. These learning lessons usually have a common theme: communication. Whether it's assuming someone understands my vision, not checking in with certain departments, not testing something ahead of time, or not fighting for something I know I need to execute the idea, I always take something away from the project. The size of that lesson varies of course, but there's always a unique obstacle of some sort that presents itself...and I'm grateful for it! Like, "OK COOL! That happened. It won't happen again!". Knowing I'm learning and growing each job definitely drives me forward!
What is your biggest pet peeve?
Laziness or negativity on set! It gets me off my game and brings the energy down.
What is it like being a female director in such a male-dominated world?
I'd be lying if I said it wasn't awesome. Now more than ever, brands, artists, and agencies understand that they need a female's perspective, and I'm loving what's being created! That being said, there are a TON of female directors in the music video and commercial space and a ton of really great talent. I don't know how much longer people can continue to say "male-dominated."
Do you get tired of hearing the words "male-dominated?" (We do.)
Yes.
What's something you'd like people to know about your job that they probably don’t?
It's a lot of writing! If someone were to tell me 10 years ago that I'd be writing as much as I do on the daily...well I actually don't know what I would have done, but I wish someone would have warned me!
IYO-- How can we stay original when we are so saturated with other people's work?
This is tough. When writing music video or commercial treatments it's expected to include tons of imagery to support your written concept, and it can be hard for everyone to step away from those visuals. Originality comes with practice. It comes with taking the time to find your voice - and the understanding that you need to listen to it.
"Originality comes with practice."
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What about your career makes you feel the most complete?
I believe what I'm doing now (and will do in the future) truly encompasses all of my passions. For as long as I can remember. I've been into visual storytelling, fashion, makeup, music, and sports - and it has ALL come together in this career that I've made for myself. I pull from all of my passions to direct. For example, I used to do makeup, and now I get to creative direct looks for massive artists. I used to play the drums growing up, and now, when I edit, I cut to music and communicate with music composers. Most recently, I directed a Gatorade commercial and got to work with athletes! It's super fun to combine all my passions under one umbrella! I also get to work with my fiancé (he's my Executive Producer) and my best friends every day. That's pretty awesome.
If you had to trade jobs with anyone else in the world, who would it be and why?
TBH... a busy stay-at-home mom with a SICK house and tons of kids!
At what point in your career did you find the confidence to really take charge and become the woman you are today?
Turning 30 was good for me. Competition in my industry is brutal and I found myself constantly comparing myself to others - professionally and personally. "This person is booking more work!", "That person's doing cooler projects!", "She looks way better than me while doing all of that!"... a lot of that kind of thing. Once I turned 30, for whatever reason my mind settled quite a bit. I'm not saying I'm made of confidence now, but with age comes a bit of wisdom and appreciation for all artists. I know I've put in my time and deserve to be here.
What's the best advice you've ever been given? Or your favorite piece of #realtalk?
This industry can be demanding and chaotic. My rep, Tommy LaBuda and I will have the occasional pep talk (these are quite often actually, haha) about tuning out the noise prioritizing what's on my plate. He's someone who reminds me that when I take time for myself, ideas will follow!
What song do you sing in the shower when you’ve had a bad day?
Such a sucker for this song... Florida Georgia Line ft. Nelly, "Cruise"!
Photo Credit: @davisfactor
Hair & Makeup: @SmashboxCosmetics @TheGlamApp @TheOuai
TO SEE THE FULL CREATE & CULTIVATE MUSIC LIST CLICK HERE.
How This Touring Photographer Survives Life on the Road
She's photographed Dolly Parton. That's all we're gonna say.
Allister Ann recently spent two days with Dolly Parton in Nashville. How's that for a 9-5?
Hint: it's not. As a successful music photographer and director known for her work with such artists as Tegan and Sara, Cold War Kids, Andrew Bird, yes, Dolly Parton and Adele-- to name drop a few-- the photog is used to long hours on set and on tour. See, the 29-year-old is also one of the few female music tour photographers, working as Kenny Chesney's personal photographer.
But life on the road is no breeze. And it's a field that's dominated by men (tickle our tummies and call us not surprised!)-- but not for long. Though Allister admits that tour life can take it's toll, she's seeing more women join the ranks. Read through to learn more about life from Allister's side of the lens.
Do you remember the first photo you took that captured a look, a soul, a vibe, where you thought, YES! This is my medium?
I remember while walking to and from FIDM college in downtown Los Angeles, there was, and still is a large population of men and women without homes. Taking the same route every day, some of them became familiar and we exchanged greetings, over time getting to know some names and later hearing a few stories. There was a bakery close by and sometimes I would share breakfast with them. I finally asked to take one mans portrait. There was something very special seeing that film developed. It wasn't just a picture, it was someone that I had taken the time to get to know. There was sentiment within it. That's the feeling that gave it meaning.
Where did you get your professional start?
While in Los Angeles going to school, I was taking photographs all the time, and learning the trade, but didn't make the conscious decision to take it on as a possible career until I quit school, moved to Nashville, and got my first paying professional job. There truly is something to be said when declaring what you want for yourself. I won’t say it's fooling others into believing in you, but believing in yourself enough to get what you truly want.
"There truly is something to be said when declaring what you want for yourself."
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How did that transition to the music industry?
Music had always been a big part of my life, and Nashville naturally exposed me to some of the most talented artists in the business. My first job was photographing a musician, and it all fell into place from there.
What was the first tour you went out on?
There were several ‘unofficial’ tours in the beginning. The first being Augustana, friends who believed in me and asked me to tag along. It really just felt like a road trip with friends, but with the addition of a camera to document our time together. Another was 30 Seconds to Mars, that was an experience in and of itself. We did only festivals that part of tour, so in between photographing the guys, I met other bands and shot them as well. Some of those people are still dear friends. The first official tour was with The Civil Wars. I was hired to be their exclusive photographer/videographer. We were together for about 3 years, and I was constantly by their side to document everything. It was an incredible experience.
What was life like on the road?
Going from city to city, shows night after night, it can all blend in together, but we were happy to be there and made the most of it. You can't help but become a tight knit family when constantly on the road. In the beginning, it was smaller venues, but as it quickly progressed, the venues became bigger and the audiences larger. Our first tour of Europe was amazing. We were all so thrilled to be there and share that experience. Photographing every moment started as simply documenting but quickly changed to becoming the makings of a family album of an incredible journey that none of us ever wanted to forget.
Why do you think it’s a field not many women are in?
When I first started there weren't many women doing what I did. Traveling can be a downside for some, physically and mentally-- it can take its toll. It's a different lifestyle that can be exhausting, but also exhilarating. I've seen over time though that there are more touring women photographers now and that's inspiring.
I've seen over time though that there are more touring women photographers now and that's inspiring.
Linda McCartney, Autumn De Wilde, Pennie Smith, and Annie Leibovitz during her time with Rolling Stones opened the doors and paved the path, and I would hope that in time many more women will choose this challenging but rewarding career.
L: Jenny Lewis; R: Vérité Published, Allister Ann
Are there moments where you’ve been treated differently as a woman?
Unfortunately yes, there have been times when being a female is thought to be a disability in some way. Assumptions that I may not be physically able to do the job or that my knowledge is limited. I found over time that it's not so much having to prove yourself, but more so handling situations as they arise with professionalism and a bit of grace. If you are comfortable in your own skin, and confident in your work, it will ultimately speak for itself, and the gender factor will never come into play.
If you are comfortable in your own skin, and confident in your work, it will ultimately speak for itself.
As you’ve grown in your profession how has your photographer’s eye changed?
Not so much changing but more so evolving. What I am inspired by at the moment, subjects I'm working with, everything is a contributing element to the final product.This last year I have been studying forms and light in sculptures and flowers among other still objects.It's a nice relief from the immediate reaction that documentary work requires.
We live in a world where everything is shared, everything is very visual, what is part of your art form that digital can’t take away?
Shooting film is still why I love photography. It keeps me on my toes in the sense of feeling that I had to earn that photo. There's no immediate fulfillment, but just an excited anticipation of waiting to see if it turned out as good, or better then you hoped for. It's a toss of the coin, or luck of the draw when you shoot in film. There's something very mysterious about it that keeps me fascinated with it.
Who are you most excited to shoot coming up?
An artist that I've worked with for the past few years just announced next years tour, so I'm very excited to see that road family again and spend some time with them. Also have been working on a portrait project of some fascinating people I've been wanting to meet. Portraits to me are so intimate and allows me to spend time with a stranger and get to know them, still one of my favorite things to do when I'm home.
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Music: DJ Kitty Cash
Turning the tables.
This article is part of our Create & Cultivate 100 List created in collaboration with KEDS, you can view the full Music List Here.
Brooklyn's resident badass.
Kitty Cash has a new routine that has nothing to do with music, but maybe everything to do with where she is in her career. “Every morning,” shares the born and raised Brooklyn-based DJ, producer, and model, “I write down three things I am grateful for.”
Those might include some career highs like: looking up from a DJ set to see Beyoncé grooving, playing for performance artist Marina Abramovic, who told her “Kitty, you are the future,” and a tribute set she played to Missy Elliot at the Essence Festival.
Her support from other female artists surely arises out of Cash's own feeling on the matter; what you put out, is what you get back. "Female empowerment is understanding that women unifying is a powerful force," Cash shares. "That we can create by being there for each other." She recently took to Instagram to show her love and support for friend and rising musician SZA.
But she didn’t get her start DJing. After graduating from the Fashion Institute of Technology with a BA in advertising and marketing communications, Cash worked in public relations at Ralph Lauren, moving on to work as head of marketing and communications at G-Star. “When I first graduated, I set a goal and I stuck to it,” the denim obsessed DJ shares. “I wanted to work for a brand and climb the social ladder until I was an EVP of a company.”
It was during her time at G-Star that she began DJ’ing for artist Kilo Kish. She loved it so much that she decided to replace her 9-5 with her passion. “When I was working at G-Star, the more I developed Kitty Cash, the more I realized I was an asset and I should make my position work for me just as much as I worked for my position.” Now when it comes to her career her approach is drastically different, calling it “more of a symbiotic relationship or a partnership.” Adding, “When it comes to my career I am structured, but I also leave room for life to run its course. I am always open to trying something new because you never know when you will discover a new passion.”
Read more from Kitty Cash below on how she found a new passion and why strengthening her relationship with her mother led to a place of self-love.
What are some of the challenges you've encountered along the way?
There was definitely a learning curve, starting fresh in a new industry slash a new world and finding my own lane. As an entrepreneur time management is extremely important and was a challenge in the beginning as well.
The DJ space is traditionally male. But more female DJs and artists are emerging. Are there women you looked up to? Who paved the way?
I really love Spinderella, DJ Beverly Bond, and Annie Mac.
And how does it feel to be a woman in the music industry today?
I think now more than ever I feel very empowered. Although it is a male-dominated industry I have come across some very powerful women who are very supportive and are able to teach me and help me grow within this space.
"More than ever I feel very empowered."
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What keeps you going?
Knowing how amazing it feels to be behind the decks and really control a room. You can't buy that feeling!
What is the best piece of "real talk" advice you've received?
Stay true to yourself because that is what got you here in the first place.
What is a time in your life when you thought, 'I can't do this anymore?’
I probably have that moment once a month. It is so easy to think or say you can't do something but you have to remember why you started and that nothing ever comes easy.
Do you have any extracurricular activities?
I love making stationary and African/Caribbean dance.
International Women’s Day is coming up. It's a global day celebrating the social, economic, cultural and political achievements of women. If you could steer the conversation around International Women’s Day, what would that dialogue be about?
I would talk about women being the champions of their own causes. Highlighting what they have done within their field and their contribution to society rather than them being a woman. This is why I believe it is important to give recognition to movies like "Women of Brewster Place," "Hidden Figures," and "The Color Purple."
How has your relationship with yourself changed in the last five years?
For the first three years out of the five, I realized that strengthening my relationship with my mother allowed me to fill a lot of voids and questions I had about myself. Through her I learned a lot about myself, and through her mistakes I saw how I could be a better me. With her love I developed self-love. I've been able to understand what makes me happy, what I deserve, and what deserves my energy. I learned to be grateful, honor my worth, and love myself the way that I am, just being proud of myself and who I am blossoming into. It is so easy to see all of the wrongs, the imperfections, the things you want to change about yourself but what about everything that makes you you? I have learned to allow myself to live everyday to the fullest and I am still learning to love and respect the journey.
"I learned to be grateful, honor my worth, and love myself the way that I am."
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What does female empowerment mean to you?
Being open to nurture, cultivate, honor, and grow with other women. It's understanding that women unifying is a powerful force that we can create by being there for each other.
Music: Daya
Supporting women through song.
This article is part of our Create & Cultivate 100 List created in collaboration with KEDS, you can view the full Music List Here.
Supporting women through song.
At 18 Daya writes songs about building confidence and taking control of her own life. Something the songstress hopes “inspires other women to do the same.”
Born and raised in Pittsburgh, when she’s not touring Daya spends most of her time in the city that raised her. Writing music and performing are in her blood. “Music has been a part of my life for as long as I can remember,” she shares. “I played my first gig was when I was nine at a bar uptown from where I grew up in Pittsburgh and I’ve craved the stage ever since then.”
With the rust belt as her background and “four extremely strong, intelligent, and talented sisters,” as well as “hardworking parents who run their own business,” Daya been bolstered on all sides. She represents the best of the future. The Gen Z voice that’s intersectional, accepting, and most importantly: won’t back down.
And the music world has taken notice. Her debut single, “Hide Away,” went platinum and she’s featured on The Chainsmokers’ double-platinum song of the summer “Don’t Let Me Down.” The idea of a young, female songstress with bold lyrics
Her goal is to “empower others, especially females, to believe they have the potential to accomplish anything they set their minds to with hard work.”
She says she feels free to speak to her mind, even in a music industry that is notoriously sexist. (see: Madonna’s recent speech at the 2016 Billboard Women in Music Awards.) But the sage-for-her-age teen recognizes that her “freedom to be honest and open” is not afforded to “many women in different cultures across the world.”
She swears by journaling, forcing herself to do it even when she doesn’t want to. “It helps clear my mind and usually ends up sparking some cool ideas for songs.”
Songs that she can’t wait to get up and perform.
“The adrenaline rush of getting up on stage and seeing thousands of people singing along,” keeps her moving forward. Sure, she says “There have been people along the way who don’t take me seriously because I’m a female and unusually young for the industry.” And in the beginning, Daya “constantly felt the pressure to prove myself to those people,” to only realize, “I’m just as deserving of my own voice and opinions as any other artist.” Which is what the song "Dare," of her first full-length album, it Still, Look Pretty, is all about.
“I’m just as deserving of my own voice and opinions as any other artist.”
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She’s been on grueling tour schedules and recalls getting very sick the morning of one show. "I tried everything I could but wasn't able to remedy it in time and it was too late to cancel. I proceeded to have the worst show I've ever had and I was embarrassed and depressed because I felt like I wasn’t giving the audience what they came for. Momentarily I wanted to quit, but in the back of my head I knew I just had to push through because there would be much better days to come.”
A self-professed perfectionist, Daya says she used to be really hard on herself about everything. “I can still be that way at times,” she admits, “but I’m much more forgiving now. I’ve learned the importance of self-trust and self-love.” She manages to squeeze in some normal teenage stuff as well. Last year she graduated from high school, attended her senior prom, and managed to squeeze in hanging with her friends and binging on Netflix like the rest of us. Unlike the rest of us, she released Sit Still, Look Pretty and performed at the White House.
She’s game to accept every challenge, motivated by strong female artists that have come before. “Amy Winehouse, Alanis Morissette, and Dido impressed me the most as women able to channel raw, powerful emotion and honest stories into their songs.”
It’s what she intends to do with the music she makes. “My career was something that I used to fantasize about, and now it's my everyday life. I’m so passionate about it and determined to tackle anything thrown at me.”
Music: Faarrow
Touching the world through song.
This article is part of our Create & Cultivate 100 List created in collaboration with KEDS, you can view the full Music List Here.
Touching the world through song.
Somali sisters Siham and Iman Hashi makeup the Canadian pop duo Farrow, a name which combines combines the translation of their names into English -- Iman means "Faith" and Siham means “Arrow." They released their debut EP “Lost” in 2016, with tracks like “Shut Up” and “Chasing Highs,” both deal with subjects of empowerment.
They released since “Rule the World,” a jazz-infused pop track in 2013 and then took a three-year intermission while working on their EP with producer Elijah Kelley. The majority of the tracks are written and produced by the sisters and Elijah.
The sisters are also political refugees from Somalia, who took refuge in Canada. Born in the Somali capital of Mogadishu they fled the country after war broke out in 1991. They are the the first female Somali artists to sign a major deal with a U.S. label.
Though to the music world they are “pop,” Faarrow sees their work a bit differently. “We feel like the culture clash of our upbringing really shaped who we are as women and artists,” they share. ‘Our music is what we like to call underdog, girl power anthems and has the spirit of breaking out and wanting to be heard.”
They’ve found that “the biggest challenge,” to their work has been, “people trying to put us in a box when there are so many layers to us.” It’s music they’ve said is “pop with undertones of hip hop and rhythmic African percussion. It's a fusion of everything.”
Having recently walked away from their record label, they gained more insight into themselves and their music. “The relationship between us became so toxic that we had to walk away. The biggest thing we learned was when a situation creates chaos within yourself, the best thing to do is let it go.”
"When a situation creates chaos, the best thing to do is let it go.”
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These are wise words from women, but this duo also describes themselves as “ageless.”
Siham and Iman are wearing Keds' Triple Metallic and Triple Solids.
“Being able to see yourself in every woman regardless of race, class, religion..." the site duo says. "When that happens empowerment is just a byproduct.”
Boundless as well. In the last five years they say their relationship to their career has changed for the better. “We've completely let go of the notion that a label or anyone for that matter can make or break us. We are the architects of our lives.” Dream gigs include performing at the World Cup. They like to keep it in the family. “Dad was a professional soccer player in Somalia and I think we'd secretly be fulfilling one of his dreams as well,” they share.
As for secrets to success? “We're taking responsibility for everything that happens in our life both good and bad. Thankfully it’s mostly good.”
Their music and their capital "P" Purpose, which includes working with the UNHCR, keeps them going. “We know that our musical gift is our tool to touch the world.”
Styling provided by Reservoir LA. Hair and makeup provided by Glamsquad. Photography courtesy of Light Lab and Woodnote Photography.
Music: Lorely Rodriguez, Empress Of
The Empress has arrived.
This article is part of our Create & Cultivate 100 List created in collaboration with KEDS, you can view the full Music List Here.
The Empress has arrived.
Empress Of, fill in the blank. Because it could be anything.
The producer and musician (also, Libra) known to her parents as Lorely Rodriguez has been tinkering on the family piano from an early age. Coming from a musical family and a childhood spent listening to her dad's Beatles albums, the 27-year-old, studied classical and jazz for about 13 years. At 17 she got a laptop and has been making electronic music ever since.
When she released her first album, Lorely revealed that it was written mainly in solitude in Mexico. A state of being, the musician shares, that “is so extreme and forces you to deal with a lot of your own personal shit." She claims, "I needed something really drastic like that for my first album because I didn’t really know what kind of album I wanted to make. To some extent, I always make music in solitude because…I work alone!"
Empress Of is her solo project, but the LA-native isn't sure she'd take the same approach again, at least not at the moment. "I don’t think I need to go to the extreme of being in a lake town by myself for a month right now,” she says.
What she does need is more time to cook for herself, as well as “coffee and museums and weird ‘70s horror movies.” As well as playing live shows. “I love that part so much,” she says. She also maintains that though singles are the “immediate songs that grab a listener,” she “loves albums and will probably always make music thinking about that bigger picture.” She's currently working on her second album, an experience she's called an "emotional roller coaster-- not so much making the music, but playing it for other people."
After moving home to LA from New York last year (the musician won’t tell us what coast she prefers, only admitting that she enjoys "not freezing"), she harps that she think it’s important to follow your intuition, “like Jewel song.” In all seriousness Empress Of knows the importance of “believing in the choices you make as it is your art and company you are representing.”
More from Empress Of below.
Who are the people you consider your mentors or influences and why?
I look at the careers of people I really respect. Bjork has always been a big mentor for me. Frida Kahlo as well.
What does female empowerment mean to you?
That phrase means equality to me. Having the same opportunities regardless of your race, sex or sexual orientation.
How does it feel to be a woman in the music industry?
It feels great. It feels like all the other things you would imagine being a woman in most industries would feel like, challenging and under represented. I am very excited to work towards a day where I don't have to talk about being a woman making music and I can just talk about making music. But as far as the industry, I put my opinions out into my music so usually, most the people I work with know I won't put up with archaic mentalities.
"I won't put up with archaic mentalities."
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What are some of the biggest challenges you've encountered along the way?
Doing something else when the one thing you relied on isn't going to work. There is no formula for being a successful artist today. I try not to let that stop me or my career. Being really creative and thinking up the next and the next and the next thing to do is part of everyday of this job.
What is the best piece of "real talk" advice you've received?
I think the one thing that has always stuck with me is trust yourself.
International Women’s Day is coming up. It's a global day celebrating the social, economic, cultural and political achievements of women. If you could steer the conversation around International Women’s Day, what would that dialogue be about?
I would love to talk about the future of women in the world. How can we educate future generations of men and woman on social equality so we can achieve even more progress?